Amou Daria by Revillon c1935

Amou Daria by Revillon" launched in 1935. Said to be named after a Central Asian (in Tibet) river, probably an area where the company acquired their furs. Tornade was said to be the re-branded fragrance 'Amou-Daria' according to Perfume Intelligence, however, I cannot see this as being true as both perfumes were being sold at the same time as evidenced by 1930s-1950s period newspaper ads.

Cantilene by Revillon c1948

Cantilene by Revillon: launched in 1948. The name refers to a musical term.

Egoiste by Revillon c1935

Egoiste by Revillon: launched in 1935. Egoiste was a woman's perfume, but according to a 1936 newspaper article, men apparently also enjoyed wearing it.

Turbulences by Revillon c1981

Turbulences by Revillon: launched in 1981. Created by Christian Bastard Lafitte at Dragoco Perfumers.

Anouchka by Revillon c1994

Anouchka by Revillon: originally launched in 1948. Reformulated by Daniel Moliere and relaunched in 1994.

4 Vents by Revillon c1950

4 Vents by Revillon: launched in 1950. In USA in 1952.

Detchema by Revillon c1953

Launched in 1953, Detchéma by Revillon captures a moment in time where exoticism, luxury, and a fascination with the mysticism of the East were at their height. The name Detchéma is derived from Tibetan lore, specifically the sorceress of joy. In Tibetan, "Detchéma" (pronounced "deh-chay-ma") evokes an image of an enchanting figure, a mystical being associated with delight and bliss. The name itself conjures notions of happiness, allure, and an otherworldly presence, drawing on the spiritual and magical connotations often linked to Tibetan culture during the mid-20th century. The association with joy and sorcery aligns well with the perfume's opulent and intoxicating character, inviting wearers into a world of sensory indulgence. The idea of a "sorceress of joy" would appeal to a post-war generation that was looking to escape from the austerity and hardship of the past, seeking comfort, pleasure, and luxury in the form of new, exotic experiences.

The early 1950s, when Detchéma was launched, was a time of transformation in fashion and culture. Post-World War II, the world was rebuilding, and in the West, this period saw the emergence of a new optimism and a desire for escapism. The period is often referred to as the "Golden Age of Perfume," with the perfume industry experiencing a boom fueled by increased wealth, consumerism, and a yearning for indulgence. In fashion, the New Look, popularized by Christian Dior, dominated, with its emphasis on femininity, opulence, and elegance. The 1950s was also the peak of fur-wearing, a symbol of wealth and luxury, which ties directly into Detchéma's creation. Fur was not just a fashion statement but a reflection of status, and perfume for furs became a niche market. Perfumes like Detchéma were designed to complement fur, masking the natural odor of the animal pelts and leaving behind a fragrant trace that was as luxurious as the fur itself. Women of the 1950s, especially those who could afford such extravagant items, would have related to Detchéma as a symbol of both mystique and indulgence, elevating their fur and the very essence of their glamour.